Majid Majidi于我而言是上个世纪伊朗电影教科书级别的代表人物从开场画面和音乐响起我的兴奋之情已难以遏制揣测从kids return到萨布甚至鸽群起飞的追逃让我想到了电影mengga终于从处心积虑的剧情发展刻意控制的情绪搅动开放实封闭的结局里了解了他在艺术性和反思之间的选择14MAY18_XXXXXL56ENDIA对于人性暖意的浪漫化表述给赞在control of each frame(master level), background Indian lives, revenger‘s dilemma, dance, usage of shadow on cloth, music score(serves director great)
We don’t know what we don’t know, until our blind spots are explored. To some extend, we are all brain washed. But beauty and love always exit and last.